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Isolating the future-skank of Vladislav Delay

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156

VLADISLAV DELAY

Ledi

VLADISLAV DELAY

Ledi

Berlin techno dismantled and reassembled with a freeform jazz aesthetic.

156

VLADISLAV DELAY

Mustelmia

VLADISLAV DELAY

Mustelmia

Subtle dynamic rhythm experiments in collaboration with Argentinian improv legend Lucio Capece.

156

VLADISLAV DELAY

Huone

VLADISLAV DELAY

Huone

A longform techno masterpiece. Imagine Basic Channel spliced with Villalobos.

156

UUSITALO

TOHTORI KUKA

UUSITALO

TOHTORI KUKA

Chicago house rendered by Berlin style avant-dub techniques.

156

VLADISLAV DELAY

Recovery IDea (Strip Dub - Bonus Version)

VLADISLAV DELAY

Recovery IDea (Strip Dub - Bonus Version)

Submerged dub techno processed into abstract industrial shapes.

156

VLADISLAV DELAY

Notke

VLADISLAV DELAY

Notke

Purified electronic dub with brain-massaging subbass and sublime drone elements.

156

LUOMO

The Right Wing

LUOMO

The Right Wing

Blueprint tech-house of the highest calibre, taken from the awesome 'Vocalcity' LP.

Vladislav-delay
156

UUSITALO

Kalajuttuja

UUSITALO

Kalajuttuja

Psychedelic, detailed levels of studio trickery applied to a dancefloor vision.

156

VLADISLAV DELAY

The First Quarter

VLADISLAV DELAY

The First Quarter

Mesmerizing future-dubscapes...

156

UUSITALO

KONEVITSA

UUSITALO

KONEVITSA

Advanced techno ecosystems merging the arctic circle with the tropic of cancer...

156

VLADISLAV DELAY

I Saw A Polysexual

VLADISLAV DELAY

I Saw A Polysexual

Intangible drone effervescence and tangled rhythm mechanics...

156

VLADISLAV DELAY

Kasvot Uivat

VLADISLAV DELAY

Kasvot Uivat

Like Phillip Jeck meeting Bernard Parmegiani in King Tubby's echo chamber.

156

AGF / DELAY

Most Beautiful

AGF / DELAY

Most Beautiful

AGF's melancholy Berlin pop is sent on an abstract tangent by Delay.

156

VLADISLAV DELAY

Ranta

VLADISLAV DELAY

Ranta

Mind-burrowing ambience from his seminal Chain Reaction opus 'Multila'.

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Hauntology
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This time on 14tracks:

“Isolating the future-skank of Vladislav Delay”

Sasu Ripatti is the Finnish electro-acoustic auteur behind the Vladislav Delay, Luomo and Uusitalo monikers, as well as part of a recent high profile collaboration with Moritz Von Oswald & Max Loderbauer as the MvO Trio. We've been engrossed by his work since his first transmissions on Berlin's Chain Reaction and his own Huume imprint reached us well over a decade ago, introducing us to a world of dislocated dub sounds, unstable rhythm vectors and vast atmospheres created by a pioneer of electronic sound construction. Since those vital early experiments, Ripatti has applied himself to various projects ranging from vocal house music as Luomo, future-skanking dancefloor rhythms as Uusitalo and spatialized techno-pop as AGF/Delay alongside talented beau Antye Greie-Fuchs. But Ripatti is at his best as Vladislav Delay, indulging in his most engrossing soundscape sculptures and re-crafting dub templates into something almost intangible. Unlike many who work with abstract sound forms, Delay's compositions have always managed to find that balance between organic human understanding, and severely synthetic processing, creating a sound that's as mysterious and coldly surreal as his homeland, and equally as beautiful.

Take part! Leave a comment!

What do you think of this selection?
Any suggestions?
All comments are warmly welcomed.






On 17 Sep 02:33 Frank Paul said:
http://14tracks.com

“Nice overview”

I had picked up a copy of Whistleblower some time ago - didn't make a *huge* impression on me at the time, to be honest. But sometimes you have to dig deeper, look at an artist's broader context, to really start to develop an appreciation for what they do. After being quite impressed by the recent MvO Trio release, I have wanted to take another look at Mr. - um - Delay's work. This selection was well timed, and presents a real nice overview. Thanks guys!

On 22 Sep 12:37 nico said:

“huone entain vocalcity whistleblower”

I think the above releases are out of this world and should be checked in full.
I appreciate Uusitalo techno stuff as well as his latest more experimental collaboration with agf.
There is so much variety in his work, he truly is one of the most interesting producers out there. Never banal and always in evolution, we can expect more from the new directions he's just taken in the Trio(s).

On 22 Sep 21:29 jason anderson said:
http://14tracks.com

“BAD TAGS”

I am sick of bad tags. I don't care who's fault it may be. I am a paying customer and I want correct TAGS "Recovery I Dea (Strip Dub Bonus Version)" horrible tagging. The track is RECOVERY IDea - notice there is no space there. PLEASE be more careful. I don't have time to go back and research every album I download from here. No wonder people download from P2P. NO ONE takes digital music seriously!

On 23 Sep 06:27 Frank Paul said:
http://14tracks.com

“Geez fella...”

...how big is the bug that apparently just crawled up inside your butt? Somebody mis-spelled a song title by one letter and you're calling for heads to roll? Wow. Touchy.

On 25 Sep 15:34 jason said:

“re: Geez fella”

This is an ongoing issue Frank. I have already written the staff a couple times about various bad tags from SEVERAL releases I have purchased. At the very least the 14 tracks compilations could sport proper tagging. Obviously "I Dea" is very wrong. this is quite important to those of us who partly use audioscrobbling (Last.FM, etc) technology to organise and keep track of a digital collection. I am told it is a "3rd-party" that is responsible for tagging the files before they reach here, but this is NOT the customer's fault. If there is a problem with the product then those on the front should help to take care of it. As it is now, every time I purchase a release I must research to see if the tags are proper. It is all too frequent an occurance (every other purchase), to be honest. That is my biggest complaint. That said, I do not mean to be negative here but I have written about this to no avail. The buck gets passed on. This particular 14-tracks contains fantastic selections, but watch the tags, if you maintain your digital collection as you do your physical collection.