Alien experiments from the Man-Machine heartland.
Strange and brilliantly forward Afro-Futurist oddity. One of DVA's best ever.
Luxurious sino-boogie romance
Lush future/primitive rhythm programming
Seminal Belgian obscurity inspired by Congolese rhythms.
Dreamily enigmatic, primordial synth drone.
Evocatively artificial, unnaturally humid beats from the Tri Angle wunderkind.

A moment of synthesized pastoral bliss.
Ceremonial music for nocturnal urban rituals.
Sweet remix from the quintessential 4th World modernist.
Subtly exotic outernational atmospherics and future/ancient drum programming.
Discombobulated ambient boogie. Oh baby. Yeaah.
Deeply enchanting Gno-Fi psychedelia from Islaja, Kuupuu and Lau Nau.
Heavy-lidded polyrhythmic ambient lilt, see where Dolphins Into The Future caught his vibe…
14 tracks: Never Been To Ibiza
14 Tracks: Quarrying Strange & Heavy Ro…
14 tracks: ClunQ FunQ
14 tracks: Footwork diffusion
14 tracks: Consensual Hallucination
14 tracks: Body Request
14 Tracks: Parallel Pop
Hospital Productions: 14 open wounds
14 tracks: Convective Currents
14 Tracks: Dubstep in Rude Health

On 06 Jul 18:10 stewart said:
Interesting compilation. However i think that naming this the 'fourth world', is somewhat problematic as it can't but downplay the inherently economic nature of the relationship between 1st and 3rd worlds in favour of the dream of some sort of symmetrical aesthetic synthesis. it could be argued that this is both perverse and mystificatory. anyway great music nonetheless
On 06 Jul 18:46 Terrence said:
Why was the Von Oswald Trio not included in this. They would've been prime candidates for this vibe. Also missed was 23 Skidoo's Kundalini, early example of jungle techno. Ferraro over these? Someone needs to get fired for this
On 07 Jul 09:34 Scott said:
http://www.diskortion.com
“Another great collection”
Particularly like Ford & Lopatin, Clams and the DVA remix.
On 22 Jul 06:43 Brindamore Sludgegulper said:
http://14tracks.com
“Interesting stuff, but it's not Fourth World”
Hassell coined the term "Fourth World" to describe his musical style, as expressed both in his trumpet playing and in his approach to composition. This musical conception combines the philosophy and techniques of minimalism with Asian and African styles, and relies heavily on the use of electronic instruments...
On 25 Jul 13:40 14 tracks said:
Brindamore, this selection wasn't intended to be purely "Fourth World". It's more about how the ideas of African rhythm, Asian timbres, alien-exotic electronic accents and synthesized humidity which Hassell imagined have become assimilated into the virtual mesh of a new generation for whom all those things seem natural, especially given the options afforded by more ubiquitous software and cheaper hardware. It's quite obviously more about a mood and the feel of a group of references, rather than a doctorate finding specific sonic DNA directly descended from Hassell. Maybe a more specific title would have sated your need for Darwinian classification, but we feel it fits this group of tracks nicely. Feel free to make up your own title and edit your playlist in iTunes accordingly.
On 08 Sep 02:47 Refuge said:
“fLAWLESS SELECTA”
When the quality of music is this high and interesting how can anyone make criticisms! This is my favorite selection since 14tracks started. I also have a fondness in my heart and association growing up with john hassel and harold budd. The name fourth world is perfect, it suggests a world just out of reach and unexplainable,the whole ancient drum sounds really resonate with me while still reaching into the future[thank you triplets]